Entries here consist of Good and Featured articles, which meet a core set of high editorial standards.
T-34-85 medium tank
The T-34 is a Soviet medium tank from World War II. When introduced, its 76.2 mm (3 in) tank gun was more powerful than many of its contemporaries, and its 60-degree sloped armour provided good protection against anti-tank weapons. The T-34 had a profound effect on the conflict on the Eastern Front, and had a long-lasting impact on tank design. The tank was praised by multiple German generals when encountered during Operation Barbarossa, although its armour and armament were surpassed later in the war. Its main strength was its cost and production time, meaning that German panzer forces would often fight against Soviet tank forces several times their size. The T-34 is also a critical part of the mechanized divisions that form the backbone of the Deep Battle Strategy.
The T-34 was the mainstay of the Soviet Red Armyarmoured forces throughout the war. Its general specifications remained nearly unchanged until early 1944, when it received a firepower upgrade with the introduction of the greatly improved T-34-85 variant. Its production method was continuously refined and rationalized to meet the needs of the Eastern Front, making the T-34 quicker and cheaper to produce. The Soviets ultimately built over 80,000 T-34s of all variants, allowing steadily greater numbers to be fielded despite the loss of tens of thousands in combat against the German Wehrmacht. (Full article...)
Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), better known as El Lissitzky (Russian: Эль Лиси́цкий; Yiddish: על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.
Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art groupUNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. In 2014, the heirs of the artist, in collaboration with Van Abbemuseum and leading worldwide scholars on the subject, established the Lissitzky Foundation in order to preserve the artist's legacy and to prepare a catalogue raisonné of the artist's oeuvre. (Full article...)
Image 12Map showing greatest territorial extent of the Soviet Union and the states that it dominated politically, economically and militarily in 1960, after the Cuban Revolution of 1959 but before the official Sino-Soviet split of 1961 (total area: c. 35,000,000 km2) (from Soviet Union)
Image 17Residents of Leningrad leave their homes destroyed by German bombing. About 1 million civilians died during the 871-day Siege of Leningrad, mostly from starvation. (from Soviet Union)
Image 18A scene from the July Days. The army has just opened fire on street protesters. (from October Revolution)
Image 19Russian troops meeting German troops in No Man's Land (from Russian Revolution)
Image 21Country emblems of the Soviet Republics before and after the dissolution of the Soviet Union (the Transcaucasian Socialist Federative Soviet Republic (fifth in the second row) no longer exists as a political entity of any kind and the emblem is unofficial.) (from Soviet Union)
Image 32U.S. Lend Lease shipments to the USSR. During the war the USSR provided an unknown number of shipments of rare minerals to the US Treasury as a form of cashless repayment of Lend-Lease. (from Soviet Union)
... that a 1955 satirical comedy play by Kasymaly Jantöshev was one of the first signs of the relaxation of Soviet literary restrictions after the death of Joseph Stalin?
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject Soviet Union}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
Привет and welcome!Wikipedia is the encyclopedia that anyone can edit. If you are interested in the Soviet Union and have some information that can be added to an existing article, please help. Here are some things you can do:
.svg)
_LCCN2014708419_Crop_2.jpg)
_(B%26W).jpg)
_-_Restoration.jpg)
